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The influences of Chinese and European arts mingle harmoniously in the work of Zao Wou-Ki. In 1957, when he was in Paris for nine years, his art is maturing. Pushed by the helplessness of the failure of his first marriage, he renounces any figuration in oils on canvas without drawing. The subtle play of colors with no real framing are highlighted by a brightness that seems to come from within th…
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